Materializing music and sound in some phoenician and punic contexts
Resumen
Music and sound would have been essential aspects of everyday life in Phoenician and Punic times. However they have been largely
neglected in the specialist literature, which has traditionally paid more attention to visual features of material culture and has ignored the
other senses such as hearing. We begin this article by contextualizing our uses of specifi c terms such as music, sound, instruments and
embodiment. We then describe the geographical and chronological framework of the materials selected, and fi nally we analyse the
evidence of musical and sound production in the material record.
neglected in the specialist literature, which has traditionally paid more attention to visual features of material culture and has ignored the
other senses such as hearing. We begin this article by contextualizing our uses of specifi c terms such as music, sound, instruments and
embodiment. We then describe the geographical and chronological framework of the materials selected, and fi nally we analyse the
evidence of musical and sound production in the material record.
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SAGVNTVM is licensed under a Creative Commons Reconocimiento-NoComercial-CompartirIgual 3.0 Unported
Creado a partir de ojs.uv.es
Editada por el Departament de Prehistòria, Arqueologia i Història Antiga de la Universitat de València
ISSN electrónico: 2174-517X
ISSN impreso: 0210-3729
doi: 10.7203/SAGVNTVM