DOI: https://doi.org/10.7203/diablotexto.3.13015

The Tempest de William Shakespeare, dirigida por Gregory Doran (Royal Shakespeare Company, 2016-2017). Dialéctica entre tecnología virtual y corporalidad


Resumen


Este artículo estudia la dialéctica que se da entre los cuerpos de los actores y la tecnología virtual en la producción de The Tempest de Gregory Doran (2016-2017). Dicha dialéctica será observada desde una óptica marxista – principalmente a partir del trabajo de Silvia Federici – y desde la crítica textual y escénica del texto de Shakespeare. Aspectos como la tecnología y el cuerpo serán de importancia para mi trabajo. Particularmente me centraré en el cuerpo como materia sometida al castigo corporal y a su instrumentalización en la película. También trabajaré a partir de la teorización de Gabriella Giannachi sobre el teatro virtual como herramienta de debate estético, político y ético en un entorno hipertextual. Estudiaré las interacciones entre los cuerpos y la tecnología en el espacio escénico del Royal Shakespeare Theatre y cómo dicha interrelación se traslada a la pantalla durante la emisión del espectáculo a través del live cinema.


Palabras clave


Cuerpo; virtualidad; realidad; interacción; hipertexto; hipersuperficie

Texto completo:

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Referencias


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ISSN: 2530-2337                  Prefijo DOI: https://doi.org/10.7203/diablotexto                          diablotextodigital@uv.es

Revista vinculada a las líneas de investigación de Proyecto Prometeo (2016/133); Proyecto AsoDat (PID2019-104045GB-C51); Proyecto ARTELOPE (FFI 2016-80314-P); ELITE-PAC (GIUV2013-064); Memory Novels Lab (GV/2021/183)