« Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique


Resumen


Starting from a stationary state in order to feed a process, the idea of
movement in music can affect both the sound material and the listening (the
Hoerspiel...), both the view (musical theater) and the ancillary disciplines (dance or
maping-video)... Based on examples taken in the 20th and 21st centuries (Debussy,
Berg, Webern, Stravinsky, Stockhausen, Kagel, Ferrari, La Monte Young, Xenakis,
Adams, De Chizy, De Mey, Trapani…), musicological study ultimately deduces that
the metaphor of movement is for man an experience considered fundamental to his
particular relationship to the world.

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