Ironia i metadiscurs en el teatre català actual, a propòsit d'«Elsa Schneider», de Sergi Belbel


This article has as its goal to analyze the dramatic text «Elsa Schneider» (1987), by Sergi Belbel, starting from the concept of irony of contrast between text and context of communication. This ironic resource is conveyed through the different composition of the three sequences of monologues in which the work is structured. With this resource the author offers an approach to a metadiscursive subject matter which revolves around scenic communication and theatrical genres.

Paraules clau

Irony; Genre; Focusing; Monologue; Metaspeech

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Versió electrònica ISSN 2386-7159 / Versió impresa ISSN 0214-8188
Llicència internacional Creative Commons 4.0 BY-NC-ND