Envíe este artículo por correo electrónico Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni
Resumen
This article deals with Atomtod (1964), Giacomo Manzoni's third
stage work, which addresses the theme of atomic weapons and its political and
social issues. After evoking the historical context in which it was conceived, we
studied some emblematic aspects of Atomtod’s libretto, focusing on music and
staging as well as its analogies with Intolleranza by Luigi Nono. Based on
archival documents (sketches, press articles, an inedited correspondence), the
present article specifically aims at illustrating to what extent this work refers to
the composer’s materialistic poetics.
stage work, which addresses the theme of atomic weapons and its political and
social issues. After evoking the historical context in which it was conceived, we
studied some emblematic aspects of Atomtod’s libretto, focusing on music and
staging as well as its analogies with Intolleranza by Luigi Nono. Based on
archival documents (sketches, press articles, an inedited correspondence), the
present article specifically aims at illustrating to what extent this work refers to
the composer’s materialistic poetics.
Texto completo:
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ISSN:1889-1713
e-ISSN:2386-8260